Presenting the Suitcase OpenType collection, a complete package of OpenType fonts, enabling the user to do things impossible in PostScript or TrueType. OpenType comes with universal system compatibility, support for a variety of languages, but, most of all, with a broad scope of typographic features.
Each individual OpenType font contains all the relevant data. The outlines, measurements, and bitmap data are now contained in a single file, which can be installed on both Apple Macintosh and Windows PC platforms. This guarantees that documents created in an application can be transferred across platforms without problems.
Read more about Open Type
Minimum System Requirements for OpenType fonts:
Mac 8.6 with Adobe ATM
Windows 95, 98, ME, NT4 with Adobe ATM
Applications which support OpenType features:
Adobe InDesign 2 and higher
Adobe Illustrator CS and higher
Adobe Photoshop CS and higher
QuarkXPress 7
Mellel
TextEdit
Applications with extended language support:
Microsoft Office 2003 and higher
Keynote
Notepad
Publisher
Applications not supported:
QuarkXPress 6.5 and below
Adobe Illustrator 9 and below
Macromedia Freehand
CorelDraw
Atrament Std (10 fonts)
Its narrow proportions make Atrament the perfect choice whenever economy of space is a must. It is however not very well suited for setting long texts. Ideal for headlines and display use, it is perfect for situations where the text needs to make a great impact in a little space.
BistroScript (1 font)
BistroScript is a contemporary calligraphic script inspired by promotional art in the 1960s. Used thoughtfully, BistroScript is guaranteed to enhance any print job.
Botanika Std & Mono (16 fonts)
Despite its lower x-height, the font is often used for setting medium to long texts. Its slightly archaic feel lends text set in Botanika an air of novelty, which may be the reason why it is so popular in extensive corporate identity systems. If you are looking for an alternative to the cold, neutral sans serifs which are so popular these days, Botanika is the perfect choice.
Comenia Sans (12 fonts)
Comenia Sans is the ideal choice for the setting of magazines, picture books, and navigation systems alike. Its excellent legibility and soft, fine details will be appreciated both in micro-typography and in poster sizes. Although it was designed as a member of a compact system, it will work equally well on its own or in combination with other high-quality typefaces.
Corpulent (1 font)
Corpulent is a display font whose forms are extremely thick, up to the extent of being nearly illegible.
Dederon Sans Std (8 fonts)
Dederon super family is a complex package of serif and sans serif fonts based on common construction principles, with harmonic compliance of easily distinguishable open shapes providing effortless reading.
Dederon Serif Std (8 fonts)
Dederon super family is a complex package of serif and sans serif fonts based on common construction principles, with harmonic compliance of easily distinguishable open shapes providing effortless reading.
Fishmonger (50 fonts)
Fishmonger is a functional, clean design, free of any buoyant, ornamental shapes, almost minimalist. Maybe this is what lends the type family its unique appearance.
Idealista (10 fonts)
Most of all, Idealista relishes juicy magazine titles, typographic logotypes and propagandist posters. Yet it works equally well in places where you need to stick a label onto that gardening tool, computer box, or spaceship. Unlike cold, technicist typefaces, it has great zest for life, so there's no wonder that in each of the letters, intuition wins over intellect. Owing to this, the text set in Idealista has a special, voluptuous quality and unmistakable temperament - in a single typeface, Idealista combines the best of sans-serif, blackletter, as well as geometric and calligraphic construction principles, coming down to one impressive, expressive cocktail.
Katarine Std & Experts (12 fonts)
Katarine is suited for a broad range of applications, from minor layouts all the way to extensive corporate systems. It finds its place where the cold, austere character of modern sans-serif does not suffice, yet its simple form and good legibility is still required.
Kulturista (10 fonts)
Kulturista is a display typeface well suited for use in magazines and certain newspapers; five available weights are a perfect for the layout of various columns, titles, and supplements. The face may also work well as a basis a corporate style, it may be used on heavy machinery and equally well on the cover of a book dedicated to graphic design.
Magion (2 fonts)
Magion is a simple geometric sans, ideal for magazine headlines, logotypes, way-finding systems, and of course large billboards which need to make a great impact. Its tall x-height and strong, open character ensure perfect legibility, even in the smallest sizes.
Metalista (1 font)
Metalista is an expression of undying admiration at the persistency of the metal culture.
Monopol (12 fonts)
The type family consists of six well-distinguished weights, from fine hair lines to lines black as the deepest night which, in accordance with current trends, is darkened to the very limit of technical possibilities and legibility, with the counters reduced to mere hair lines. All italics have the same proportions as their corresponding regular styles, emphasising the block-like appearance of the set text.
Nudista (10 fonts)
Carefully chiselled letter curves are sturdy and well suited for the harsh conditions of low-resolution printing devices, they work well on computer or mobile phone screens and can be printed on laser printers. However, the face will work best in corporate systems, navigation and road sign systems, where it may be, also thanks to the extensive range of weights, a good alternative to the well-known and thus a little played out DIN.
Orgovan (6 fonts)
Orgovan is based on calligraphic script models lettered with a flat brush, which have been a mainstay in the sign makers' and display artists' handbooks since the beginning of the 1960s.
Purista (10 fonts)
Purista is a strict, orderly typeface based on a well-tried principle of geometric sans serifs from mid-20th century.
RePublic Std (12 fonts)
Over half a century of consistent quality ensures perfect legibility even in adverse printing conditions and on poor quality paper. RePublic is an exquisite newspaper and magazine type, which is equally well suited as a contemporary book face.
Sandwich (1 font)
The all caps display face Sandwich was inspired by historic, hand lettered sans serif alphabets with slightly sloping terminals, as found in showcard lettering and on billboards.
Tabac (32 fonts)
The Tabac type system is a static Old Style typeface with modern shapes and distinct, wedge-shaped serifs. It is primarily designed for newspaper, magazine and book typesetting. By scaling the weight in all styles, including bold, Tabac boasts great variability. Each style works as a font of its own, featuring the full set of glyphs. These styles may be combined depending on the user; the choice of text and title face thus depends fully on the designer’s own taste, on the needs of the readers and the technologies of printing in use.
Teimer Std (8 fonts)
Typographer and graphic designer Pavel Teimer (1935–1970) designed a modern serif roman with italics in 1967. For the drawing of Teimer he found inspiration in the types of Walbaum and Didot, rather than Bodoni. He re-evaluated these archetypes in an individual way, adjusting both height and width proportions and modifying details in the strokes, thus effectively breaking away from the historical models he used as a starting point.
Vafle (12 fonts)
At the turn of 2005 and 2006, we decided to give Wafle Two a facelift. It was necessary to carry out some minor corrections in the proportions and and weight of the upper case, lower case and numerals. Missing glyphs were added to the character set, along with accented characters for most Latin script languages. The resulting face was named Vafle.