Font is one of the most important elements of brand visualization. Suitable font makes it easy to distinguish your corporate identity from rival companies. Custom designed fonts represent a fitted solution completely respecting client needs. Usage of custom fonts supports an advanced visual culture of the corporate design.
We offer two possibilities to achieve original custom fonts. Either by redesigning typefaces from the offer of our type foundry or by designing new typeface according to client requirements. Every order needs a tailor-made approach, therefore primarily we make an exhaustive analysis of a present circumstances and propositions of the client to design optimal and elegant solution. We are able to prepare typefaces for print outputs, websites, screens or other systems. Our fonts always comply with high technical and esthetical standards.
We provide localization of fonts into latin character encodings - Roman (western character encoding), Central European (central european character encoding), Baltic (baltic character encoding), Croatian (croatian character encoding), Icelandic (icelandic character encoding), Romanian (romanian character encoding) or Turkish (turkisch character encoding) for both Windows and Macintosh - PostScript or TrueType. We can also redesign inappropriate accents.
We provide conversions between PC and Mac platforms and between PostScript and TrueType formats.
We can amend your fonts with missing characters (e.g. Euro sign or company logotypes)
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Budovatel
Budovatel is typeface for orientation system and graphic solution of BNH interiors. It was inspired by original graffito on historical facade of Bohemian National Hall in New York. The typeface is also used for logotype and prints of BNH.
Forsage
The Forsage font was designed as a new corporate font for a small, independent movie theatre Aero in Prague. This narrow slab serif was inspired by the year of the theatre's foundation, 1933. It functions as a corporate display type; for the facelift of the logotype, letters of BistroScript were modified.
Union
For the Graphic Design Union, we made the Union typeface. Tri-linear construction symbolises the three mythic rods of prince Svatopluk of the Czech history. Three cuts of this display type thus offer sufficient flexibility of use in the logotype and in other applications.
Novatica
Together with Marek Pistora, we created the Novatica typeface for Czech commercial TV channel Nova. The four-cut family is based on the traditional proportions of sans-serif fonts. Among its unique features is the single-bellied lowercase a, or the simple arc of lowercase n.
Illusion
Illusion has become the key element of the new logotype of Illusion Softworks society. This Czech game developer is known especially for his 3D version of Mafia or Vietcong action games. The logotype and the manual were designed by Jan Tippman.
Brzda
Brzda, a broad display type, was designed specifically for the solo exhibit and book of Czech painter Pavel Brázda, and it was inspired by the street motives from his paintings. The layout of all prints was designed by Juraj Horváth.
Torst Antiqa
Book type antique design named Torst Antiqa is a project of an original font for Torst publishing house. Main reason of the design was a font, which by its character loosely follows the masterpieces of Venetian artists design that became the origin of typographical Roman characters. 
Sidecar
Sidecar font was designed for the performance "You're just the Side-car" which uses the typography as part of the stage design. It is a narrowed version of our font Orgovan Brush. Sidecar font and other Orgovan's weights are used in print materials as well.
Rokoko
The corporate typeface of Rokoko theatre in Prague. Capital characters were adapted from Magion font. They are used in every promo materials. A halving variation of the characters were designed for the logotype of the theatre. 
Seznam
Seznam Script and Seznam Text typefaces are a set package of custom fonts for the best known Czech internet search portal Seznam. They come out from hand-written captions of portal services. The Script weight is composed of capital characters. It unfolds the hand-written attribute of the type offering a lot of alternative variations and ligatures. The Text weight is drawn from a significant inclination, a narrowing of stems and a calligraphic pen strokes. Drawing principles of characters of a grotesque type provide effortless reading in shorter texts. It is completed of a lower case.